Ebook Free The Computer Music Tutorial (The MIT Press), by Curtis Roads
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The Computer Music Tutorial (The MIT Press), by Curtis Roads
Ebook Free The Computer Music Tutorial (The MIT Press), by Curtis Roads
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About the Author
Curtis Roads is a composer and researcher and was Editor and Associate Editor of Computer Music Journal for 20 years. He is currently Professor in Media Arts and Technology and Associate Director of the Center for Research in Electronic Art Technology (CREATE) at the University of California, Santa Barbara.
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Product details
Series: The MIT Press
Paperback: 1234 pages
Publisher: The MIT Press; Edition Unstated edition (February 27, 1996)
Language: English
ISBN-10: 0262680823
ISBN-13: 978-0262680820
Product Dimensions:
7.9 x 2.1 x 10 inches
Shipping Weight: 5.2 pounds (View shipping rates and policies)
Average Customer Review:
4.8 out of 5 stars
19 customer reviews
Amazon Best Sellers Rank:
#789,514 in Books (See Top 100 in Books)
I've had this book for a few years now, and I'm not even close to tapping it out. It's well-written and detailed, and since it's not software-specific - it's universally applicable. I found it very helpful when first learning the fundamentals of synthesis, and now that I'm starting to learn Csound, I'll be reading parts of it again. There is so much information here, which makes it the kind of book you can grow into.The level of math is general enough for the attentive layman, yet not dumbed-down (I really should brush up on my trig, of course). If you want more detail on a subject, there are plenty of 'Suggested Reading' lists within. That's not to say the book skimps - it doesn't. I could go on, but a look at the Table of Contents says it better than I would.I'll admit, though - this book doesn't go in-depth on traditional analog techniques. I assume it wasn't meant to, given the title and abundance of analog synth books at the time of publication. This book will help you transfer analog techniques into the computer realm, but to learn those techniques in detail, you may want to supplement this with another - probably older - book.This book is essential. Of course, please don't buy it just to give it a one star because it didn't teach you how to use Fruity Loops - it's not that kind of "computer music" book. If you're genuinely interested in the subject matter, you won't regret owning it!
I use this book both in my own work as a computer music composer and as an instructor in computer music at my university. It is clear and detailed without being cumbersome or laborious. Indeed, for a 1200 page book it feels remarkably concise in its explanations. The biggest drawback for me is that I suck at math, which means there are times when I have to work at it to make sense of some passages. This is a fault of my own (due to sheer laziness) and not of Roads. Even so, I've been able to read about techniques that I didn't know much about beyond their sound and immediately implement them in Max/MSP simply by having had their the mechanics explained in clear detail. This is a brilliant, invaluable book for deepening my understanding of and work in computer music theory and technique.
I'd like to add my voice to others that have praised this book. I'm an Associate Professor of Computer Science at Cal Poly, and this book is my number one go-to source for information about computer music and signal processing. This book fills an interesting niche; it's not mathematical, but it's written by someone who clearly understand the math, and the history, and best of all, *includes references*.Here's a case in point: I'm interested in putting together a simple reverb unit. I know how comb and allpass filters work. How do I hook them together to make something that sounds decent? This book gives me a great overview, and then points me to Moorer 1979, which turns out to be *exactly* what I'm looking for.Having this book on my shelf is like having a friendly colleague who knows all about the topic, and is willing to share and provide pointers. Wonderful.
This book is the best book to get started and continue with music involving electronics and computers. The book covers the basics and keeps going. If you touch any type of electronic device to make music, this book should be on your shelf. I can't say enough good things about this book.
Wanted this book for a long time. Some people told me that it is too old, but i think the main concepts did not changed from 96.For me this is an awesome, well written reference book oriented on every aspect of digital audio.
this book has everything you need to know .amazing book to learn how to making music with your computer and instruments
Great.It's a bible of computer music.I'm a Korean. There's no korean translate version.But sentences of this book is pretty clear and can be understandable.
This is quite a tome and I strongly suggest you not drop it on your foot. Well-written and comprehensive--but shares a short-coming common in many technical books--it lacks sufficient detail to facilitate immediate application. You will learn all about the topology of harmonic synthesizers, but will be clueless on how to actually design one to emulate, say, an oboe. More sophisticated models (e.g., plucked strings) are beyond the scope of the book.Nevertheless, an interesting read sans the elf'in magic that makes computer music possible.
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