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Redwood and Wildfire, by Andrea Hairston
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Review
One of many themes Hairston weaves into her tale of an Irish-Seminole man (Aidan Wildfire) and a young black hoodoo queen (Redwood Phipps) who flee backwoods Georgia for urban Chicago at the turn of the 19th century is the importance of itinerant theater in shaping America s evolving sense of itself. From black-face minstrel shows to multi-ethnic horse operas like Buffalo Bill's Wild West, a unified cultural history was being forged, which this novel brings to life in vivid detail. Subsequent transitions from vaudeville to Broadway to movies locked iconic American performances into the group mind of audiences like a collective memory or dream. Using revelatory flashbacks and poetic asides, Hairston suggests such collective dreaming transforms people the same way herbal and psychological voodoo can. The fantasy elements featured in Hairston's narrative such as faith healing, telepathy, astral travel, and teleportation are implicitly compared to the Promethean wonders of the electrical pavilion at the 1893 Chicago World s Fair. Music is rightly described as yet another magic power; a way of changing peoples' moods and even a person s destiny. Using their mutual genius for period blues and bluegrass, Aidan and Redwood follow their dreams of self-reinvention along the same hazardous Blues Highway survived by Ma Rainey and Bessie Smith then transcended by Florence Mills and Josephine Baker. By the time this adventure ushers its characters into the pre-Code film industry, all that matters any more is transcendence: a physical and psychological transcendence of all obstacles to creative or social freedom. --Village Voice, Feb 23, 2011
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About the Author
Andrea Hairston is a Professor of Theatre and Afro-American Studies at Smith College, as well as the Artistic Director of Chrysalis Theatre. Her first novel, Mindscape, which was short-listed for the Philip K. Dick and James Tiptree Awards, was awarded the Carl Brandon Society's Parallax Award. Her plays have been produced at Yale Rep, Rites and Reason, the Kennedy Center, Stage West, and on Public Radio and Television. She has received many awards for her writing and directing, including an NEA Grant to Playwrights, a Ford Foundation grant to collaborate with Senegalese Master Drummer Massamba Diop, and a Shubert Fellowship for Playwriting.
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Product details
Paperback: 448 pages
Publisher: Aqueduct Press; First edition (February 28, 2011)
Language: English
ISBN-10: 9781933500522
ISBN-13: 978-1933500522
ASIN: 1933500522
Product Dimensions:
6 x 1 x 8.8 inches
Shipping Weight: 1.4 pounds (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
14 customer reviews
Amazon Best Sellers Rank:
#2,104,844 in Books (See Top 100 in Books)
Redwood and Wildfire is different than Hairston's first novel, Mindscape, but still manages to retain some of what intrigued me in that book. It's more grounded than her debut, but still draws from fantastic elements. One could almost imagine that Redwood and others like her might be the ancestors of the griots of Mindscape, if one had the inclination. This book stands at the intersection of history and fantasy, bound together by a love story that avoids falling into the trap of too-sappy romance, and I enjoyed the journey.I especially appreciated the attention to "real world" problems facing Black Southern migrants to the North at the turn of the century--The minstrel shows and moving pictures serving both as livelihood and self-mockery, and everything that entailed. Redwood manages, somehow, but Aidan's time playing [to racial stereotypes] on screen nearly destroys him.And, of course, there are other challenges the characters encounter: alcoholism, [sexual assault], culture shock, racism... Ms. Hairston doesn't flinch from any of it.I went back and forth on the rating for this, between 3 and 4 stars. On the one hand, I had some trouble consistently connecting to the characters (especially Aidan, who I felt alternating pity and fury at in the first parts of the book). On the other hand, they are oh-so-very human and fallible, and the character development so believable, that I can't help but applaud Andrea Hairston's skill.{This Review was Originally Posted to Goodreads on 2017.03.16. Some language--as denoted between brackets--has been adjusted to meet Amazon review standards.}
This book combines touches of fantasy with a gripping tale about racial divides and struggles at a significant time in US history. It moves from a southern swamp to the sprawling city of Chicago, all the while revealing more and more about its intriguing characters. In some ways the author's style reminds me of another favorite novel, The Night Circus.
Although a bit lengthy, this book makes a strong contribution to the world of multicultural speculative fiction. Hairston's intertexuality (you'll encounter sly jokes and references to early 20th century African-American texts) elevates the novel and gives readers the opportunity to ponder an alternative view of history.
I was captivated by the strength and magic of this book in the opening lines where Redwood and her family are fleeing for their lives in the post Civil War racist south. Redwood grows up knowing that the magic in her separates her from other people, but it is a deep spiritual gift passed on to her. She also knows that Aidan Wildfire, a mountain man of Cherokee and Irish descent is one of the few people like her. Each has lived through horrific events but share a bond that enable them to find the courage to fight for their lives and for the lives of the people they love. They travel through time, across the continent to pursue dreams. This is also a fascinating exploration of the evolution of theater and the roles it presented to non-whites at the turn of the 20th century. Theater becomes Redwood's life and she takes it forward in a new vision of truth and expression, away from the minstrel stereotype. Redwood and Wildfire find salvation in this new vision and in each other in spite of the adversities that confront them in their new lives. Andrea Hairston's use of dialog is wonderful. She captures an innocence and hope that lives in all of us who live in a challenging world of wonder and skepticism. I'm looking forward to her next book!
I had no idea what I was getting myself into when I first cracked open Redwood and Wildfire. I was ill prepared for this densely woven, free-spirited kind of writing mixing a horrific lynching, a girl who can catch a hurricane in her hand, stories from an irish/seminole drunkard's life, cooning in Chicago vaudeville, and the kindness of a country doctor lending poetry books to white trash and coloreds in rural Georgia.Running through the prose is the pulsing, visceral awareness of body; skin, color, breath, and blood, in all the characters.We join Redwood Phipps as she loses her mother, grows up in the Georgia swamps as a colored hoodoo gal in a town where that makes her feared by all, and dances around half-Irish/half-Seminole Aidan who tries to make his own place in the world through a fog of haint-haunting and alcohol.Both travel to Chicago where they find their own places as entertainers.This is not an easy book to read; it's definitely for adults. You can't sit down and gulp it. The narrative is a bit opaque sometimes, either due to dialect or the author's fancy, I don't know, but even when the story takes us hard places, you can't give up on Redwood or Aidan or any of their hard-living and hard-used friends.You read to pass through the hard times, to shake your fist at the boneyard baron and do a little hoodoo healing on yourself, no matter your own color or background.I felt as if someone had taken The Color Purple and mixed it with some of the sad-tinged wonder of Gabriel Garcia Marquez's One Hundred Years of Solitude as I read Redwood and Aidan's tale.Definitely something you should read, but only if you're emotionally prepared.This Book's Snack Rating: A handful of pistachios for the sometimes-painful shell of race, violence, and discrimination you crack to get to the honey-sweet nut of Aidan and Redwood's magic inside.
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